Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Jean-Baptiste Greuze 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
78346		''Portrait of Count Stroganov as a Child	1778 cjr
43246		A Girl	mk170 1765-1780 Oil on canvas 47x39.4cm
28331		A Girl with a Doll	mk60 1778 Oil on canvas 19 1/2"x16"
29271		A Visit to the Priest	mk65 1786 Oil on canvas 49 1/2x63"
29339		A Young Man in a Hat	mk65 1750s Oil on canvas 24x19 1/2"
28330		Count P.A Stroganov as a Child	mk60 1778 Oil on canvas 18 1/2"16"
29377		Countess E.P.Shuvalova	mk65 ca.1780 Oil on canvas 23 1/2x19 1/2"
26966		jean-baptiste greuze	mk52 c.1803 Oil on wood 52.5x45.5cm Musee des Beaux-Arts,Marseilles
33779		L'Accordee du Village	mk86 1761 Oil on canvas 90x118cm Paris,Musee National du Louvre
79742		L'enfant a la colombe	Oil on canvas 64,4 x 53,3 cm cjr
77593		Portrait de Claude Henri Watelet	between 1763(1763) and 1765(1765) Oil on canvas 115 ?? 188 cm (45.3 ?? 74 in) cjr
77446		Portrait de jeune fille au ruban bleu	18th century Oil on canvas cjr
78052		Portrait of a Boy	18th century Oil on canvas 34 x 45 cm (13.4 x 17.7 in) cjr
76620		Portrait of a Lady, Called Sophie Arnould	ca. 1773(1773) Oil on canvas 49.6 ?? 39.3 cm (19.5 ?? 15.5 in) cjr
75454		Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould	Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould ca. 1786(1786) Oil on canvas 61 X 50.4 cm (24 X 19.8 in) cjr
76735		Portrait of Jacques Gabriel French architect	Mid-18th century Oil on linen 65 ?? 54 cm (25.6 ?? 21.3 in) cjr
77871		Portrait of the Countess Schouwaloff	1770s cjr
68410		Portrat eines jungen Madchens	English: c. 1770-1780 Oil on canvas Deutsch: 50 ?? 38 cm
30623		The Broken jug	mk68 Oil on canvas Paris,Louvre c.1759 Italy
72537		The Inconsolable Widow	before 1763 Oil on canvas 40 32 cm cjr
33778		The Lamentation of Time Passing	mk86 c.1775 Oil on canvas 79x61cm Munich,Bayerische Staatsgemaldesamm-lungen,Alte Pinakothek
72013		The Spoiled Child	1765 Oil on canvas
30626		The Village Marriage Contract	mk68 Oil on canvas Paris,Louvre 1761 France
31813		The Wool winder	mk76 Painted probably in 1759 Oil on canvas 29 3/8x24 1/8in
37376		The wool Winder	mk125
78191		Therese de Savoie	1775(1775) Medium Oil on canvas Dimensions 86 x 68 cm (33.9 x 26.8 in) cyf
73470		Young Girl Weeping for her Dead Bird	Young Girl Weeping for her Dead Bird c. 1759 cjr

Jean-Baptiste Greuze

French Rococo Era Painter, 1725-1805 French painter and draughtsman. He was named an associate member of the Academie Royale de Peinture et de Sculpture, Paris, in 1755 on the strength of a group of paintings that included genre scenes, portraits and studies of expressive heads (tetes d'expression). These remained the essential subjects of his art for the next 50 years, except for a brief, concentrated and unsuccessful experiment with history painting in the late 1760s, which was to affect his later genre painting deeply. Though his art has often been compared with that of Jean-Simeon Chardin in particular and interpreted within the context of NEO-CLASSICISM in general, it stands so strikingly apart from the currents of its time that Greuze's accomplishments are best described, as they often were by the artist's contemporaries, as unique. He was greatly admired by connoisseurs, critics and the general public throughout most of his life. His pictures were in the collections of such noted connoisseurs as Ange-Laurent de La Live de Jully, Claude-Henri Watelet and Etienne-Franeois, Duc de Choiseul. For a long period he was in particular favour with the critic Denis Diderot, who wrote about him in the Salon reviews that he published in Melchior Grimm's privately circulated Correspondance litt?raire. His reputation declined towards the end of his life and through the early part of the 19th century, to be revived after 1850, when 18th-century painting returned to favour, by such critics as Theophile Thore, Arsene Houssaye and, most notably, Edmond and Jules de Goncourt in their book L'Art du dix-huitieme siecle. By the end of the century Greuze's work, especially his many variations on the Head of a Girl, fetched record prices, and his Broken Pitcher (Paris, Louvre) was one of the most popular paintings in the Louvre.

All the Alma Tadema's Oil Paintings

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